Stephen CraneStephen Crane provides a general overview of all of Stephen Crane's major works, and many of his minor ones. It seeks to understand the many literary genres in which Crane wrote: newspaper journalism, novels, poetry, sketch and short story. After a brief biographical introduction, the chapters are organised in a chronological fashion and trace Crane's development as a writer from the early newspaper contributions to Maggie, his first novel, and The Black Riders, his first collection of verse. Subsequent chapters consider the work that arguably shaped Crane's reputation - The Third Violet and The Red Badge of Courage and his short stories. The Red Badge of Courage was recognised by many as the finest war novel in English, and Crane subsequently devoted much effort to writing more about the war. Another chapter treats his war correspondence, and the conclusion returns to the subject of war to examine how wars have helped to shape Crane's popular and critical reception. |
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Página 39
Not only does he imagine the broad sweep of battle , he also foresees much detail in close - up . The graphic stories of those who have seen action allow him to envision ' red , live bones sticking out through slits in the faded ...
Not only does he imagine the broad sweep of battle , he also foresees much detail in close - up . The graphic stories of those who have seen action allow him to envision ' red , live bones sticking out through slits in the faded ...
Página 40
The emblems of battle become the visual signs by which he navigates himself through the ensuing conflict . After surviving his first skirmish , Henry experiences tremendous relief . As a result , he no longer feels the need to envision ...
The emblems of battle become the visual signs by which he navigates himself through the ensuing conflict . After surviving his first skirmish , Henry experiences tremendous relief . As a result , he no longer feels the need to envision ...
Página 41
Callously , Henry perceives battle wounds not in terms of pain inflicted but in terms of symbolic value . Not even the sight of his mortally wounded friend Jim Conklin , whose side ' looked as if it had been chewed by wolves ' ( RB 45 ) ...
Callously , Henry perceives battle wounds not in terms of pain inflicted but in terms of symbolic value . Not even the sight of his mortally wounded friend Jim Conklin , whose side ' looked as if it had been chewed by wolves ' ( RB 45 ) ...
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American literature appeared Appleton artist audiences Badge of Courage battle become behaviour Billie Billie's Black Riders Blue Hotel Brian Winston British camera obscura chapter cinema colour contemporary Cora Crane moves Crane observes critical depicts dime novels dispatches Dr Trescott emblems Émile Zola entropy environment experience eyes fiction flag Fragment of Velestino George's Mother girl Grace Graeco-Turkish Greece Henry Binder Henry's Hoffman Hollanden hunting imagination Jimmie Joseph Conrad killing legends literary literary realism little man's Little Regiment Maggie Maggie's Monster mosque motion pictures moving images narrative narrator newspaper Open Boat painted panoramas Pete poems point of view popular culture Port Jervis published Quick readers realism Red Badge remain reputation scene Seduced and abandoned seems sentence soldier Stephen Crane streets suggests Sullivan County sketches Swede tenement Third Violet Tom Quick Velestino viii visual W viii Whilomville Whitman's wild hogs women words wounded writing