HamletManchester University Press, 1995 - 261 páginas In this illuminating study, Anthony Dawson surveys the stage history of Hamlet from its appearance in Shakespeare’s time to the efflorescence of new and challenging productions in our own. He vividly re-creates more than a dozen representative performances across three centuries. Bringing together theatre history and the interests of cultural criticism and performance theory, Dawson traces the Anglo-American acting tradition and provides a succinct account of the interpretative problems associated with texts, character, design, and the production of meaning. The final chapters extend the analysis to a number of film versions, notably those of Olivier, Kozintsev and Zeffirelli, as well as to several important European stage productions. |
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Contenido
Performing Hamlets meanings | 1 |
Hamlet on stage 16001900 | 23 |
old ways meet the new stagecraft | 67 |
Gielgud and Olivier in the 1930s | 97 |
1948 and 1965 | 119 |
Royal Shakespeare and Royal Court in 1980 | 147 |
Olivier and Kozintsev | 170 |
Zeffirelli and the BBC | 197 |
Translations | 224 |
Notes | 242 |
Appendix | 247 |
252 | |
257 | |
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