Essays, Letters from AbroadMoxon, 1845 - 164 páginas |
Dentro del libro
Resultados 1-5 de 23
Página 42
... arches of the southern part of the ruin , selected a fallen column for their seat , and clasping each other's hands , sate as in silent contemplation of the scene . But the eyes of the girl were fixed upon her father's lips , and his ...
... arches of the southern part of the ruin , selected a fallen column for their seat , and clasping each other's hands , sate as in silent contemplation of the scene . But the eyes of the girl were fixed upon her father's lips , and his ...
Página 43
... arches built upon arches , and shattered stones lie around , that once made a part of the solid wall . In the crevices , and on the vaulted roofs , grow a multitude of shrubs , the wild olive and the myrtle - and intricate brambles ...
... arches built upon arches , and shattered stones lie around , that once made a part of the solid wall . In the crevices , and on the vaulted roofs , grow a multitude of shrubs , the wild olive and the myrtle - and intricate brambles ...
Página 95
... arches . Across one of these arches was a beam , now black and rotten , on which prisoners were hung in secret . I never saw a monument more terrible of that cold and inhuman tyranny , which it has been the delight of man to exercise ...
... arches . Across one of these arches was a beam , now black and rotten , on which prisoners were hung in secret . I never saw a monument more terrible of that cold and inhuman tyranny , which it has been the delight of man to exercise ...
Página 96
... rested one extremity of its arch upon the water , and the other at the foot of the mountains of Savoy . Some white houses , I know not if they were those of Meillerie , shone through the yellow fire . JOURNAL . 96 LETTERS FROM GENEVA .
... rested one extremity of its arch upon the water , and the other at the foot of the mountains of Savoy . Some white houses , I know not if they were those of Meillerie , shone through the yellow fire . JOURNAL . 96 LETTERS FROM GENEVA .
Página 99
... arch of ice , and spreads itself in many streams over a vast space of the valley , ravaged and laid bare by its inundations . The glacier by which its waters are nourished , overhangs this cavern and the plain , and the forests of pine ...
... arch of ice , and spreads itself in many streams over a vast space of the valley , ravaged and laid bare by its inundations . The glacier by which its waters are nourished , overhangs this cavern and the plain , and the forests of pine ...
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Términos y frases comunes
Adieu admirable affectionately Agathon ancient Apennines Apollo Apollonius Rhodius appearance arch Aristodemus arms arrived astonishing Bacchus Bagni Bagni di Lucca beautiful boat Bologna called clouds columns conceive countenance dark DEAR FRIENDS,-I DEAREST death delight desire divine England English Eryximachus excellent expect expression faithfully feel Florence forests GISBORNE glacier Greeks hear Henry Homer honourable hope human imagination immense inhabitants Italy JOHN GISBORNE journey Keats kind lake leaves Leghorn LEIGH HUNT Lerici LETTER Livorno look Lord Byron magnificent manner Mary mind Mont Blanc moral morning mountains Naples nature never overhang pain perfect perhaps perpetually person Petrarch Pisa Plato pleasure poem poet poetry praise produced Ravenna road rocks Rome ruins scene sculpture seems seen sequins Servoz SHELLEY side Socrates soon spirit sublime suffered sweet tell things thought whilst wind write
Pasajes populares
Página 3 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Página 3 - It transmutes all that it touches, and every form moving within the radiance of its presence is changed by wondrous sympathy to an incarnation of the spirit which it breathes : its secret alchemy turns to potable gold the poisonous waters which flow from death through life ; it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty which is the spirit of its forms.
Página 3 - But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured cm-tain, or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being. It makes us the inhabitants of a world to which the familiar world is a chaos.
Página 3 - Poetry thus makes immortal all that is best and most beautiful in the world ; it arrests the I vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in ! form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters abide — abide, because there is no portal of expression from the caverns of the spirit which they inhabit into the universe of things.
Página viii - Their language is vitally metaphorical ; that is, it marks the before unapprehended relations of things and perpetuates their apprehension, until the words which represent them, become, through time, signs for portions or classes of thoughts instead of pictures of integral thoughts ; and then, if no new poets should arise to create afresh the associations which have been thus disorganized, language will be dead to all the nobler purposes of human intercourse.
Página 2 - We want the creative faculty to imagine that which we know ; we want the generous impulse to act that which we imagine ; we want the poetry of life : our calculations have outrun conception ; we have eaten more than we can digest.
Página 31 - It is that powerful attraction towards all that we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void, and seek to awaken in all things that are, a community with what we experience within ourselves.
Página xv - Trouveurs, or inventors, preceded Petrarch, whose verses are as spells, which unseal the inmost enchanted fountains of the delight which is in the grief of love. It is impossible to feel them without becoming a portion of that beauty which we contemplate...
Página 1 - It is difficult to define pleasure in its highest sense ; the definition involving a number of apparent paradoxes. For, from an inexplicable defect of harmony in the constitution of human nature, the pain of the inferior is frequently connected with the pleasures of the superior portions of our being. Sorrow, terror, anguish, despair itself, are often the chosen expressions of an approximation to the highest good.