Literature and ArtFowlers and Wells, 1852 - 183 páginas |
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... POETS 58 THE MODERN DRAMA 100 BY MR . ALLSTON'S PICTURES .. AMERICAN LITERATURE .. 108 121 DIALOGUE , CONTAINING SUNDRY GLOSS- SWEDENBORGIANISM 160 ES ON POETIC TEXTS . 151 METHODISM AT THE FOUNTAIN . APPENDIX . - THE TRAGEDY OF ...
... POETS 58 THE MODERN DRAMA 100 BY MR . ALLSTON'S PICTURES .. AMERICAN LITERATURE .. 108 121 DIALOGUE , CONTAINING SUNDRY GLOSS- SWEDENBORGIANISM 160 ES ON POETIC TEXTS . 151 METHODISM AT THE FOUNTAIN . APPENDIX . - THE TRAGEDY OF ...
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... poet , not merely a philosopher , not merely an observer , but tempered of all three . If he criticise the poem , he must want nothing of what constitutes the poet , except the power of creating forms and speaking in music . He must ...
... poet , not merely a philosopher , not merely an observer , but tempered of all three . If he criticise the poem , he must want nothing of what constitutes the poet , except the power of creating forms and speaking in music . He must ...
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... , can perceive . should Apollo bring his lyre into audience , that there may be strains more divine than those of his native groves . CRITICISM ON ENGLISH LITERATURE . A DIALOGUE . POET . 8 PAPERS ON LITERATURE AND ART . 00.
... , can perceive . should Apollo bring his lyre into audience , that there may be strains more divine than those of his native groves . CRITICISM ON ENGLISH LITERATURE . A DIALOGUE . POET . 8 PAPERS ON LITERATURE AND ART . 00.
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Margaret Fuller. CRITICISM ON ENGLISH LITERATURE . A DIALOGUE . POET . CRITIC . POET . Approach.
Margaret Fuller. CRITICISM ON ENGLISH LITERATURE . A DIALOGUE . POET . CRITIC . POET . Approach.
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Margaret Fuller. A DIALOGUE . POET . CRITIC . POET . Approach me not , man of cold , steadfast eye and com- pressed lips . At thy coming nature shrouds herself in dull mist ; fain would she hide her sighs and smiles , her buds and fruits ...
Margaret Fuller. A DIALOGUE . POET . CRITIC . POET . Approach me not , man of cold , steadfast eye and com- pressed lips . At thy coming nature shrouds herself in dull mist ; fain would she hide her sighs and smiles , her buds and fruits ...
Otras ediciones - Ver todas
Literature and Art: Two Parts, in One Volume (1852) Sarah Margaret Fuller Sin vista previa disponible - 2009 |
Literature and Art: Two Parts, in One Volume (1852) Sarah Margaret Fuller Sin vista previa disponible - 2009 |
Términos y frases comunes
admirable Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earnest earth expression faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël Margaret Fuller means melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford Swedenborgianism sweet sympathy taste tender thee things thou thought tion tone true truth verse whole wish woman words Wordsworth write
Pasajes populares
Página 71 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Página 70 - Higher still and higher From the earth thou springest Like a cloud of fire ; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning « Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run ; Like an unbodied joy whose race is just begun.
Página 72 - Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass, which screen it from the view.
Página 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Página 88 - And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are!
Página 40 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace— all and each Would draw from her alike the approving speech, Or blush, at least.
Página 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Página 20 - Angel's age. God's breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage, The Christian plummet sounding heaven and earth ; Engine against th...
Página 75 - The wind, the tempest roaring high, The tumult of a tropic sky, Might well be dangerous food For him, a youth to whom was given So much of earth, so much of heaven, And such impetuous blood.
Página 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.